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I am a Biology with biomedical emphasis major and I am attending college to be a Pediatrician.

Monday, April 30, 2012

The topic that I researched is misogyny, which is the mistreatment of women and I have learned the negative views on the topic and how it can have an effect on people.
                                       
This image is from the male artist Nelly’s video “Tip Drill”, the video was made in the year of 2004. Nelly (Cornell Hayes Jr.), is a popular rap artist who started his career in the 1990’s.  There was a huge controversy that came about with the way Nelly revealed the females, because it revealed misogynist portrayal. Misogyny is defined as the hatred, dislike and mistreatment of women at the end of the video Nelly swipes a credit card through a woman’s behind (Osayande 108). When looking at his facial expressions it seems that he enjoys what he is doing to the female.  When swiping the card through the females behind he reveals them as his property.  Some of the lyrics from this song read as follows,
“I got you payin my bills and buyin automobiles, Yous a tip drill, nigga you a tip drill, I know you a trick go spend that shit, You old tip drill, you monkey ass tip drill, I know you a trick go spend that shit, You old tip drill, you monkey ass tip drill” (Osayande ).
Nelly refers to the female as a trick and the female talks about the men paying her bills and buying automobiles.
The video made such a controversy because Nelly swiped a credit card through a black woman’s behind, which revealed her as his property. Nelly was denied the opportunity to go to a bone marrow conference on Spellman college campus in Atlanta, Georgia that he wanted to host (Osayande 110).  He wanted to host a bone marrow conference at a woman college, but yet he was swiping cards through naked women’s behinds.  At the college there were Black women that protest against the issue because they held him accountable for his demeaning display of women in his music and videos (Osayande).  They were not about to let him host a bone marrow conference and then turn around and make another video that exploits women. The women at Spelman College were concerned, because if you are going to sit there and rap or perform in a misogynist manner you shouldn’t have the privilege to host a bone marrow conference at an all-girl college. Nelly came to tell CNN that, "I respect women, and I'm not a misogynist. I'm an artist. Hip-hop videos are art and entertainment. Videos tell stories; some are violent, some are sexy, some are fun, some are serious. As for how women are shown in the videos, I don't have a problem with it because it is entertainment...No one knows what a particular woman's situation is, what her goals are. Being in that video may help her further those goals. Several women who have been in my videos have gone on to do TV appearances and movies. No one can dictate other people's choices and situations" (CNN).  What Nelly goes to say in this quote goes against what he has in his music videos and the lyrics to his songs. Yet one might argue that he makes the videos to entertain the fans and others might just disagree with the whole issue of mistreatment of women. Misogyny has come to be a huge issue in the hip hop culture and women are mistreated in the communities as a result of what is being displayed on television.

Effects of Misogyny

How does the hip hop culture promote misogyny to youth's and how will it affect them? One cause that contributes to misogyny in the hip hop culture is the violent and misogynist lyrics that male rappers have in their songs. Lyrics about pimping and beating women could eventually lead to more sexual assault and battering. From the lyrics on the radio to the videos on YouTube, Black male rappers participate in an aural and visual assault of the minds and bodies of Black women  which makes them look as if they are a piece of property the rappers own. In his article, "Rap Music Encourages Violence Against African American Women," activist and author Ewuare Osayande explains how Black men and boys are reciting these lyrics until they become mental scripts that direct their interactions with Black women even as these tracks advocate the real-life hatred and violence toward women (Osayande 108). Osayande explains in his article that lyrics are harmful to the youths, because rap music can make visible the actual rape of black women and with the teens listening to the music can cause them to act in the same manner. In her article “Angie Martinez; a chameleon artist”, Elizabeth Jane Lavery makes her point about misogyny and sexual stereotypes by analyzing lyrics such as Puff Daddy’s song “Big Ole’ Butt“ (Lavery). She shows the rap lyrics recurrently portray men as sexually active and women as the passive receivers of men’s sex life.  This is when the youths see that it is alright for the male rappers to treat the females horrible and rap about them with hatred, they can do the same.  They begin treating the women with disrespect and calling them horrible names. Both Ruby Gourdine and Brianna Lemmons authors in the, Journal of Human Behavior in the Social Environment also show how misogynist lyrics affects the hip hop culture. In their scholarly journal, “Perceptions of Misogyny in Hip Hop and Rap: What do youths think?,” they discuss how the lyrics in songs can have a lot to do with people’s reactions and how negative images of black females and a gangster lifestyle are the ones that promotes and gives the impression that all black community adhere to these lifestyles (Gourdine and Lemmons). When listeners of rap music are bombarded with these messages from so many directions, it becomes easily for them to buy into the belief that misogyny will help them achieve social status with having many different women and knowing they call relate to them as a bitch or hoe. They then believe it is right to hit on women or call them harsh names because they have heard it in lyrics from rappers, so misogyny can contribute to the hip hop culture which causes a negative impact on the societies.
Another factor that contributes to misogyny in the hip hop culture is the videos that male rappers produce because they are mostly explicit and the males refer to the women in these videos as bitches and hoes.  Many male rappers in the videos treat the women as a piece of property, having them half naked in the videos and flashing money around the females. For instance, in Gucci Manes’s video “Hella Ones,” there are half naked women dancing around pouring milk on themselves while Gucci throws money around them symbolizing ownership of the females.  Videos such as these have a negative effect on the hip hop culture, because it makes it seem like this is the only thing women are good for and that they aren’t anything better.  In Tupac Shakur’s video, “Hit Em’ Up”, he goes on to talk about Biggie Smalls in the song and how he “Fucked His Wife”.  At the beginning of the songs he say, “That’s why I fucked your wife you fat motherfucker,” Tupac also known as Makaveli was a rapper and film actor who was shot and killed in September 1996. In his article, “The Biggie Envy and the Gangsta Sublime,” Michael S. Collins explains that the video “Another” is very explicit and suggests that even a character with so much misogyny on his tongue is looking for an unbreakable partnership in love (Collins). The lyrics to this song are "What do you do when your bitch is untrue? / You cut that hooker off and find someone new / I need another bitch (another bitch) in my life"(Collins). The videos and lyrics are misogynistic and talk constantly about both the male and females sex life leading to treating the woman as a bitch being untrue, then going to find another girl that will be true. It is the words, videos, and presentation of artists that concern parents and adults (i.e., teachers, service providers), as their fear is that listening to rap music and emulating certain artists’ behavior will lead to youthful indiscretions (Gourdine and Lemmons).  This shows that the hip hop culture does promote misogyny and that both genders must understand that negative words and portrayals of women are not acceptable.  When people have always listened and viewed the misogynist songs it is usual that they begin to think and act in the same manner this results from the contribution the hip hop culture has again had on misogyny because if you see a famous person treating women with disrespect the viewer’s think it is okay if they do the same. Hip hop does promote misogyny to youths through the videos and results in the viewer’s showing disrespectful ways towards females.
Degrading images of women in hip hop also lead to the same meaning of misogyny and they can also be referred to pornographic images.  Through the album “The Massacre” by king of pop Michael Jackson misogyny is revealed.  In the newspaper article from the New York Times, “How Hip-Hop Music Lost Its Way and Betrayed its Fans” Brent Staples analyzes the album and shows that this CD makes it seem perfectly normal but, he refers to the cover as being “grotesquely violent and misogynist (Staples).  He makes an argument that misogyny and violence are things that rappers or singers should not portray to be good, because the audience is there to follow their tracks. In the 1990s, with the media’s interest in all things Latin, Latina mamis came to be a fixation in hip-hop videos and lyrics (Lavery). Mamis, also popularly known as ‘video ho mamis’, are stereotypically associated with the exotic, aggressive sexuality, boldness, hot-bloodedness and a ‘bling-bling’ gold-digging mentality (Lavery). When you look at the images that hip hop artists make, you see the young hot women in them half naked, some with money around them or food. This all relates to misogyny, because the women are being seen only for one thing.  For example, Ludacris has a "Chicken and Beer" rap album cover that was published in 2003 which reveals the women as nothing but a piece of meat on a plate. If the teens continue to see the women be treated this way and being called horrible names, they will begin to treat their women the same way. This explains how the rap artists refer to their women with these negative images and how the hip hop culture does contribute to misogyny affected the teens in the future.

The Alternative

“Take Back the Music”


I have researched misogyny in hip hop and have learned the effects it can have on a person and here is an example of something being done to try to control misogyny.  Michaela Angela Davis, editor of Essence magazine is in charge of the “Take Back the Music” campaign. Essence magazine launched a year-long campaign called "Take Back the Music" in January 2005, which continues to raise the awareness about the effects of misogynistic imagery upon young girls and women (Israel).  Essence says young girls who think they are only good for what they see in hip hop culture. (Israel). Michaela stated that "We know that's not who you are, You’re not a stripper. We know that you're not limited. We know that you have the potential to be anything and anybody you want. Oprah Winfrey was on the corner"(Israel). The campaign is an alternative for misogyny and is aimed at getting artists to think about the impact their music has on black America.  Misogyny is known as the mistreatment of women and there are people that are trying to solve the problem.  Although not all women believe hip hop images are bad, for instance, a lady named Yolanda commented, “You got to do that kind of stuff to sell music. I'm saying that's what people like to see, as far as the girls with the little stuff on. They like to see that so that's what they have in their videos" (Israel).  So women believe that they have to act in such a manner and reveal themselves the way they do to make the videos.  This is the importance of the campaign to let the community come together and know there are people willing to help stop misogyny.  Beverly Guy-Sheftall, director of the Women’s Research and Resource Center at Spellman College when Nelly was rejected from the school to host a bone marrow conference, believes women can continue to organize, join campaigns like “Take Back the Music,” stop buying the records and dancing to the music, and get involved in the organizations and efforts around the issue throughout the U.S., even though many of them are not highly visible (Williams). It is important that the community has positive aspects about campaigns such as “Take back the Music” and continues to join them, so there can be a decrease in misogyny and the affects it has on women.

Reflection

I believe my portfolio demonstrates the level of quality work needed to pass this course, because I had a lot of instructions on how to make it productive.  During this course we were given a good amount of instructions such as the ways with words handouts, the calendars provided that lets us know what work we have to get done, the Bergman book, and other different handouts given on blackboard.  If I needed help I would email the teacher or listen always during class to intake information I needed to accomplish my assignments.  We were also scheduled conferences to talk over our draft research papers to develop a better essay. I thank you, as my professor that you made us start our researching earlier so we would have more time to develop our essays.  My process for writing this essay was splitting the sections up and completing them one at a time as I went, and it was very helpful. I wasn’t in a rush to complete my essay in the end and that took a huge relief off of me to know I had more time.  When we were assigned as groups to discuss an issue, I participated with the class. I know that I could have worked harder and had a better grade for this course, but it seems I have struggled with getting familiar with the hip hop culture more. It was an interesting course and I am glad that I took. The different technique I learned in this course, such as the annotated bibliographies, researching, searching for references, and create a blog for the first time has been very helpful to me.  I have tried very hard to make It through the course and it was a whole new view when I had to learn to research the hip hop culture, so I hope that I pass this course so I can continue on with my education.

Works Cited

Ewuare, Osayande. "Spittin' Acid at Sistahs: Rap(e) & the Assault of Black Women."Rap Music and
 Culture. Detroit: Greenhaven Press, 2008. Print.
Gourdine, Ruby M. and Lemmons, Brianna P. “Perceptions of Misogyny in Hip Hop and                 Rap: What do Youths Think?” Journal of Human Behavior in the Social Environment 21 (2011): 57-72. Print.
Israel, Charlene. Black History: Take Back the Music. CBN News, 2012. Web. 20 Apr. 2012.
Lavery, Elizabeth Jane. “Angie Martinez; a chameleon artist” Journal of Iberian and Latin              American Studies 15.2/3 (2009):153-166. Print.
Staples, Brent. ”How Hip-Hop Music Lost Its Way and Betrayed its Fans.” New York
                 Times 12 May 2005, p.A26. Print.
Williams, Dana. Rally Against Misogynistic Lyrics: Women’s Rebellion. Dana Williams, 2011. Web. 19 Apr. 2012.